Skip to main content

Saturday Dead: 9.10.90


Words By Andy Zimmer

Grateful Dead Live at The Spectrum on September 10, 1990.



This week I really wanted to pick a more recent show from the Dead Vault for your listening pleasure. Because I strive to find shows that are high-quality throughout the entire performance, sometimes this can prove to be a little tricky. Many later-Dead shows seem to suffer through large portions of disjointed music, or uninspired playing. Clearly, it is unrealistic to expect the Dead to have played an “epic” (I hate that word) show every night... and, being Dead fans we are spoiled with the amount of incredible music at our fingertips.

I think this show from the Philly Spectrum is one of the most solid performances from start to finish to come out of 1990. The band gets the energy flowing right out of the gates with a very nice “Shakedown Street” and doesn’t let up until the last notes of the “US Blues” encore. Along the way, we are treated to solid versions “Peggy-O”, ”Foolish Heart”, and “Scarlet Begonias”. I am also a fan of the Dylan cover, “Stuck Inside of Mobile With The Memphis Blues Again”, and the rocking first set closer of “Promised Land”.

Set 1:

d1t01 - Tuning
d1t02 - Shakedown Street
d1t03 - Little Red Rooster
d1t04 - Peggy-O
d1t05 - Mama Tried ->
d1t06 - Mexicali Blues
d1t07 - Row Jimmy
d1t08 - Stuck Inside Of Mobile With The Memphis Blues Again
d1t09 - Foolish Heart ->
d1t10 - The Promised Land

Set 2:

d2t01 - Tuning
d2t02 - Victim Or The Crime ->
d2t03 - Scarlet Begonias ->
d2t04 - Fire On The Mountain ->
d2t05 - Man Smart, Woman Smarter ->
d2t06 - Drums ->
d3t01 - Space ->
d3t02 - The Other One ->
d3t03 - Wharf Rat ->
d3t04 - Sugar Magnolia

Encore:

d3t05 - U.S. Blues

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

Billy Strings 4.18.19

Salvage Station Asheville, NC Words by Jason Mebane Photos by J. Scott Shrader Photography When asked to write a review of last week's Billy Strings show at Asheville, North Carolina's Salvage Station I almost passed on it. I just wrote a review of his last Asheville show a few months ago and I thought it may be hard to come up with another set of words to describe to the readers exactly what a Billy Strings show is all about. I am sure there are a plethora of other reviews that other people have written focusing on how well he has mastered his instrument. I suppose I could recycle those thoughts and just sit here typing out a few adjectives describing each note Billy and his superb backing band played this past Thursday night, but that wouldn't be fun for me. Additionally I'd imagine a review like that wouldn't keep your attention either. Instead I have decided to focus on a few random parts of the Billy Strings show that seemed interesting to me. One: B...