We arrived at The Town Ballroom, to a line of people in costume. As we neared the front of the line we noticed a surprisingly heavy amount of searching by security. I was heavily patted down for what felt like two minutes. I was told I could not bring my camera into the venue, and I explained to the a gentleman holding the "press list" that I was on the list, but did not have a camera pass. Typically I can talk my way into or through any situation. Although tonight, with this extremely heavy security presence, it was not going to happen for The J-man.
As I headed back to my car a made a quick decision to swing by Lotus' bus to see if I could talk to someone about getting a photo pass. Luckily for me there were two gentleman stand next to the bus. One of the gentleman; Luke Miller,(who plays guitar and keys for Lotus) was kind enough to walk around to the front enterance with me and get me and my camera into the venue. On the walk around the block Luke and I spoke of his opinion of tapers and distributing live music for free. His responses were exactly what I expected based on the amount of live recordings Lotus has on the Archive and etree. In fact about five minutes prior I witnessed Luke trying to talk a security guard into letting a taper into the venue (successfully). Thanks Luke, I do really appreciate your help getting the photo pass.
Once inside; the foyer open up to a circular bar in the middle of a large room strewn with cobwebs. Passing through that room and a ticket checkpoint we entered the Ballroom. A room with multiple levels and a very comfortable vibe, as well as an additional bar on both sides of the room. The opening band will go unmentioned...
... As Lotus took the stage the crowd was noticably excited. The first set had it's moments but overall I was not overly impressed. Their new drummer sounded good and will definately mesh well with the band, however there were a few moments of scrambling that stood out to me. Again, I think he will do the band well, it's just going take time. I thought all together the bands peaks were extremely well done and had the place moving. The new light rig served them well and really provided an awesome visual show.
The second set was a lot more intense, with more peaks and wailing. The jams seemed more developed and seemed to take the crowd to a great place. Looking around there were lots of smiling faces and lots of movement. The second set went from song to song, through some of the more electronic down tempo sounds to the more natural guitar wailing. I thought the drums came together a lot better in the second set, and the lights really blew me away.
Additionally the Egg afterparty will go unmentioned...
Black Rock City, NV Words & Photos by Andrew Wyatt The first time I was born again, I was no more than a 12-year-old tadpole of a kid wriggling his way through chilly baptismal waters of my father’s tiny, rural Southern Baptist church. The first time I was born into the narrow confines of evangelical religion. The second time I was born again, I was a gangly young man born into the big, wide, roiling sea of the infinite universe. And it all happened on a pirate ship and a wacky dance club at Burning Man. In 2002, I was a self-doubting preacher unsure whether to continue a fledgling career calling, when a voluptuous mountain guide neighbor asked if I would join her on a week-long experience at Burning Man. “After the week is over, and you still want to preach. Then great. If not, then you’re welcome!” she piped up. Hesitantly I agreed. “Burning Man,” wrote journalist Daniel Pinchbeck in his book, Breaking Open the Head , “is more decadent than Andy Warhol’s Factory, more glamoro
Hill Auditorium University of Michigan Ann Arbor, MI Words & Photos by J. Picard In the early 1970s the music world shifted with the coming of a transformative collaboration between John McLaughlin and Zakir Hussain. The result was a relatively short-lived but incredibly impactful project that grew from the chance encounter. Shakti, from its inception, was destined to change not only the sound of Indian music and jazz, but the possibilities of musical collaboration as a whole. Nearly fifty years later, the impact of this project that began in 1974 and concluded in 1978, is immeasurable and spans generations of listeners. 2023 marked the return of Shakti, the release of a new album ( In This Moment ) and an extensive tour that wrapped around the globe from Europe to the United States. From the announcement of the American tour dates, it was decided that we would be making the long journey from Denver, CO to Ann Arbor, MI for a show at Hill Auditorium at the University of Michigan
Bank of NH Pavilion Gilford, NH Words & Photos by Arlene Brown What happens when you have 9,000 people attending the biggest group therapy session of our lives? You get almost every single person at the Bank of New Hampshire Pavilion in tears for an experience none of us will never forget. Disturbed’s “Take Back Your Life” tour swept through Gilford, NH with so much raw and honest emotion led by the breathtaking David Draiman, vowing to each and every person there that our lives matter and that our lives are important. Mental health affects everyone; either ourselves or someone we know who is living with depression, anxiety, and/or other debilitating issues. “We are not alone.” Disturbed’s night started with their normal “Hey You,” “Stupify,” and the pyro backed “Ten Thousand Fists” in which everyone was pumping their fists (not phones) in the air. Every single person was singing every single word to every single song. The whole night. It’s been a LONG time since I’ve seen a crowd
Deschutes County Fairgrounds Redmond, OR Words by Ryleigh Hutson & Alexander Fornes We are counting down the days to the first-ever, Cascade Equinox Festival taking place September 22-24th. As we close out the summer months and welcome in the fall, we come to the Deschutes County Fairgrounds in Redmond, OR & explore a diverse and eclectic blend of music including Jam, Electronic, Funk, Bluegrass, and Soul acts. With so many artists and genres to explore, it may be overwhelming to plan which are a must-see, and which sets you’ll spontaneously stumble upon. This could be one of the greatest line-ups Central Oregon has yet to see. The following are 5 artists not to miss at Cascade Equinox! 1. Pretty Lights Electronic music pioneer Derek Smith (Pretty Lights) is following a five year hiatus and Cascade Equinox is boasting its headliner as his only Pacific Northwest performance on his Soundship Spacesystem Tour . Pretty Lights took the hiatus at the top of his game after his 10th ye
jman what was up with the egg's show...? you got me curious
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