Over the years Cornmeal has become a not to miss show when they come to town. After seeing their stellar performances at Summer Camp and State Bridge this summer, I’ve become so enamored with their sound that I find myself anticipating their Front Range shows months in advance. Their co-bill with Hot Buttered Rum only added to my excitement for this particular night at The Ogden in Denver, Colorado. I haven’t seen Hot Buttered Rum since November of 2010 and in that time Matt Butler left the band to pursue Everyone Orchestra full time and they replaced him with Lucas Carlton. He has a slightly less prominent sound in the mix but is still very accomplished in his role as their new drummer. They opened with a rowdy "Crest."
SET I: The Crest, Texas Eagle, Late In The Evening, Missoula To Miami, Squall, Let The Love Come Through, Busted In Utah, Blackberry Pie, Entangled, Fruit Of The Vine, Angeline The Baker, Ramblin’ Girl, Beneath The Blossoms, Poison Oak, Working Man
The new Hot Buttered Rum has a fresh sound and the solid energy that made me a fan of their music way back when. They still tour pretty heavily but have not been as prominent on The Front Range as they have in years past. The room began to fill in as they started the show. Set up on stage right was Denver’s most renowned live painter Scramble Campbell. Scramble danced wildly as he splattered paint on the canvas. It’s great when he’s in the room; it’s even better when he is on the stage for everyone to see. Hot Buttered Rum slayed the crowd with classics like "Busted in Utah" and "Working Man." The room reached a fevered pitch as they finished their set, which lasted about an hour and forty-five minutes. HBR is a powerful bluegrass experience and seeing them with Cornmeal was simply stunning, but I’ll get to that in a minute.
Cornmeal has truly proven to me in the last year that they are a band that will always deliver. They bust their ass in every city they play. With their high-octane jamgrassadelic style, they produce a palpable energy that is infectious. Cornmeal began the show, as they seem to do most of the time with a flurry of sound. It’s almost akin to an orchestra tuning, before they go into their first song. Their two-hour set had so many highlights and great moments. Whenever I think I’ve seen them at their best, I get a show like the one performed at the Ogden and it just blows me away. For a band that tours relentlessly, their road tested sound continues to develop. They are so ridiculously tight that their live show leaves nothing to be desired. High points of their set included a strong "I’m Coming Back Home" and a huge "When The World’s Got You Down." We were also treated to a jamgrass version of Steve Miller Band’s "Swingtown," which saw Kris Nowak in the pocket getting his rock on. They sounded great and if they had ended there that would have been plenty, but what the crowd received was a half hour encore of Hot Buttered Corn.
ENCORE: Pay Yer Dues, Honkytonk Tequilla, I Can See The Light (At The End of The Tunnel), Sympathy For The Devil (With Cornmeal and All of HBR except Lucas Carlton)
What some of my friends have called a clusterpluck was in fact a giant stringed hoedown that culminated with Wavy Dave singing a brilliant "Sympathy For The Devil." It was a great end to a truly amazing show. The energy from start to finish is the reason why I see both of these bands. The combination of both was something I could only dream of. As I walked out of the Ogden I was buzzing form the adrenaline that built up over the course of the night. My final thought of the evening was that Hot Buttered Corn needs to do a national tour.
Black Rock City, NV Words & Photos by Andrew Wyatt The first time I was born again, I was no more than a 12-year-old tadpole of a kid wriggling his way through chilly baptismal waters of my father’s tiny, rural Southern Baptist church. The first time I was born into the narrow confines of evangelical religion. The second time I was born again, I was a gangly young man born into the big, wide, roiling sea of the infinite universe. And it all happened on a pirate ship and a wacky dance club at Burning Man. In 2002, I was a self-doubting preacher unsure whether to continue a fledgling career calling, when a voluptuous mountain guide neighbor asked if I would join her on a week-long experience at Burning Man. “After the week is over, and you still want to preach. Then great. If not, then you’re welcome!” she piped up. Hesitantly I agreed. “Burning Man,” wrote journalist Daniel Pinchbeck in his book, Breaking Open the Head , “is more decadent than Andy Warhol’s Factory, more glamoro
Hill Auditorium University of Michigan Ann Arbor, MI Words & Photos by J. Picard In the early 1970s the music world shifted with the coming of a transformative collaboration between John McLaughlin and Zakir Hussain. The result was a relatively short-lived but incredibly impactful project that grew from the chance encounter. Shakti, from its inception, was destined to change not only the sound of Indian music and jazz, but the possibilities of musical collaboration as a whole. Nearly fifty years later, the impact of this project that began in 1974 and concluded in 1978, is immeasurable and spans generations of listeners. 2023 marked the return of Shakti, the release of a new album ( In This Moment ) and an extensive tour that wrapped around the globe from Europe to the United States. From the announcement of the American tour dates, it was decided that we would be making the long journey from Denver, CO to Ann Arbor, MI for a show at Hill Auditorium at the University of Michigan
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Deschutes County Fairgrounds Redmond, OR Words by Ryleigh Hutson & Alexander Fornes We are counting down the days to the first-ever, Cascade Equinox Festival taking place September 22-24th. As we close out the summer months and welcome in the fall, we come to the Deschutes County Fairgrounds in Redmond, OR & explore a diverse and eclectic blend of music including Jam, Electronic, Funk, Bluegrass, and Soul acts. With so many artists and genres to explore, it may be overwhelming to plan which are a must-see, and which sets you’ll spontaneously stumble upon. This could be one of the greatest line-ups Central Oregon has yet to see. The following are 5 artists not to miss at Cascade Equinox! 1. Pretty Lights Electronic music pioneer Derek Smith (Pretty Lights) is following a five year hiatus and Cascade Equinox is boasting its headliner as his only Pacific Northwest performance on his Soundship Spacesystem Tour . Pretty Lights took the hiatus at the top of his game after his 10th ye
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