We headed down to the Aggie to celebrate Amy’s birthday with The Henhouse Prowlers and hometown heroes Head For The Hills. The Prowlers had new members Dan Andree on fiddle and Starr Moss on guitar, which I felt was a marked improvement from when I saw them last time in December. As part of a 22-day tour of Colorado and the West Coast they took the opening slot for H4TH. This is a great match up and a way for the Prowlers to be exposed to an entirely new audience. They took the stage sharply at 9 PM. They have a unique style that combines a traditional sound with very modern lyrics and their show on Saturday was no exception. Songs like "Syracuse" about a couple of Dead Heads who are neglectful parents and a cover from the Stanley Brothers got the audience pumped. They began to an almost empty room and finished with a packed audience screaming loudly. They had a great set and once again impressed me with their picking style.
Head For The Hills continues to be a bluegrass powerhouse on the Front Range and beyond. Finishing up their 20 date run of the Midwest and the South with a return to the land of their origin, they came out sounding as good as I’ve ever heard them sound. Their four-piece lineup follows the well-worn path bands like Yonder Mountain String Band, but H4TH differentiates themselves by being truly authentic in their songwriting and their musicianship. They got the night going strong with a great version of "Nellie Kane" in the first set that steamrolled them through the rest of the show. I’m so overwhelmed every time I catch them live. They are proof that bluegrass is alive and well and there are still bands out there that can make an impact. With a slot at Telluride this year, they continue to accomplish great things. They are magical and I would highly recommend that you see Head For The Hills when they come to your town.
Black Rock City, NV Words & Photos by Andrew Wyatt The first time I was born again, I was no more than a 12-year-old tadpole of a kid wriggling his way through chilly baptismal waters of my father’s tiny, rural Southern Baptist church. The first time I was born into the narrow confines of evangelical religion. The second time I was born again, I was a gangly young man born into the big, wide, roiling sea of the infinite universe. And it all happened on a pirate ship and a wacky dance club at Burning Man. In 2002, I was a self-doubting preacher unsure whether to continue a fledgling career calling, when a voluptuous mountain guide neighbor asked if I would join her on a week-long experience at Burning Man. “After the week is over, and you still want to preach. Then great. If not, then you’re welcome!” she piped up. Hesitantly I agreed. “Burning Man,” wrote journalist Daniel Pinchbeck in his book, Breaking Open the Head , “is more decadent than Andy Warhol’s Factory, more glamoro
Hill Auditorium University of Michigan Ann Arbor, MI Words & Photos by J. Picard In the early 1970s the music world shifted with the coming of a transformative collaboration between John McLaughlin and Zakir Hussain. The result was a relatively short-lived but incredibly impactful project that grew from the chance encounter. Shakti, from its inception, was destined to change not only the sound of Indian music and jazz, but the possibilities of musical collaboration as a whole. Nearly fifty years later, the impact of this project that began in 1974 and concluded in 1978, is immeasurable and spans generations of listeners. 2023 marked the return of Shakti, the release of a new album ( In This Moment ) and an extensive tour that wrapped around the globe from Europe to the United States. From the announcement of the American tour dates, it was decided that we would be making the long journey from Denver, CO to Ann Arbor, MI for a show at Hill Auditorium at the University of Michigan
Bank of NH Pavilion Gilford, NH Words & Photos by Arlene Brown What happens when you have 9,000 people attending the biggest group therapy session of our lives? You get almost every single person at the Bank of New Hampshire Pavilion in tears for an experience none of us will never forget. Disturbed’s “Take Back Your Life” tour swept through Gilford, NH with so much raw and honest emotion led by the breathtaking David Draiman, vowing to each and every person there that our lives matter and that our lives are important. Mental health affects everyone; either ourselves or someone we know who is living with depression, anxiety, and/or other debilitating issues. “We are not alone.” Disturbed’s night started with their normal “Hey You,” “Stupify,” and the pyro backed “Ten Thousand Fists” in which everyone was pumping their fists (not phones) in the air. Every single person was singing every single word to every single song. The whole night. It’s been a LONG time since I’ve seen a crowd
Deschutes County Fairgrounds Redmond, OR Words by Ryleigh Hutson & Alexander Fornes We are counting down the days to the first-ever, Cascade Equinox Festival taking place September 22-24th. As we close out the summer months and welcome in the fall, we come to the Deschutes County Fairgrounds in Redmond, OR & explore a diverse and eclectic blend of music including Jam, Electronic, Funk, Bluegrass, and Soul acts. With so many artists and genres to explore, it may be overwhelming to plan which are a must-see, and which sets you’ll spontaneously stumble upon. This could be one of the greatest line-ups Central Oregon has yet to see. The following are 5 artists not to miss at Cascade Equinox! 1. Pretty Lights Electronic music pioneer Derek Smith (Pretty Lights) is following a five year hiatus and Cascade Equinox is boasting its headliner as his only Pacific Northwest performance on his Soundship Spacesystem Tour . Pretty Lights took the hiatus at the top of his game after his 10th ye
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