Steve Kimock feat. Bernie Worrell 10.18.12

Aggie Theatre
Fort Collins, CO

Words & Photos by Nicholas Stock
Audio By Corey Sandoval (Kind Recordings)

The once brazen Kimock seems finer in his approach these days. The former phenom of the late era psychedelic scene of San Francisco has come a long way from his early days with Zero and Kingfish. His performances with Rat Dog, Phil and Friends, and Steve Kimock Band have become legendary, and the reason is that Kimock has finally solidified his place within the band dynamic. Instead of going all out and simply shredding, he has found a subtlety to his playing that allows for other musicians to engage and compliment wonderfully. I have seen this shift in Kimock’s performances coming over many years. At the Aggie, he seemed to come full circle. Balancing lead and jamming back and forth with legendary keyboardist Bernie Worrell.

The inclusion of Worrell in this lineup is simply breathtaking. This man has so much musical history that to see him play in a room the size of the Aggie is an awesome experience. Worrell single-handedly invented funk keyboard and played in two of the most influential bands in American musical history. No doubt he is getting up there in age, but at 68 he is still touring regularly with several projects. The rhythm section consisting of troubadour drummer Wally Ingram and former Gov’t Mule bassist Andy Hess are the solid foundation on which this group is built. Hess brought the funk from time to time, but mostly stayed in the pocket. Ingram too stayed consistent and conservative throughout most of the night. They opened with an extended jam on Bob Marley’s “Get Up, Stand Up.”

Steve Kimock Live at Aggie Theatre on October 18, 2012.

Set One: Get Up, Stand Up, You Can’t Do That> Super Stupid, Sun, Sun, Sun, Hey Man, This Must Be The Place (Naïve Melody)

Set Two: 54-46 Was My Number, You’re The One, Come Together, Y-Spy> Five B4 fUNK, Tongue ‘n’ Groove

Encore: Burning Down The House

Kimock demonstrated his copious skills on the pedal steel for their instrumental take on The Beatles’ “You Can’t Do That.”  They blasted off with Funkadelic’s “Super Stupid,” which saw Worrell on the rapid-fire lyrics and Kimock absolutely exploding on the slide guitar. They went into a jazzy rendition of Zero’s “Sun, Sun, Sun.” In just the first half of the first set we were witnessing a real musical meld between not only Worrell and Kimock’s playing, but their actual song catalogs. Sticking primarily to instrumental tunes, original track “Hey Man” began much like a traditional jazz-infused jam, but soon broke down into the avant-garde realm with Worrell hitting pinging notes on his synthesizer as Kimock wailed away over the top. They ended the set with a much-anticipated trip to the Talking Heads catalog with “This Must Be The Place.” The musical side of the song was top notch, but unlike “Super Stupid” Bernie’s vocals were choppy and he seemed fatigued at times. They jammed on this classic, well past the ten-mark before calling the first set to a close.

The band returned to the stage with Toots and The Maytals’ “54-46 Was My Number.” It was a nice way to ease in the set and really demonstrated the diversity of both Hess and Ingram in the rhythm section. “You’re The One,” another Kimock original jam, contained some heavy give and take between Kimock and Worrell, before they busted out their second Beatles jam of the night with “Come Together.” “Y-Spy” was a funky journey that finally saw Hess really taking it up a notch. They segued beautifully into “Five B4 fUNK” which is another Kimock original. They finished the set with a delicate Kimock tune “Tongue ‘n’ Groove.” It was beautifully constructed from the ground up with the virtuoso guitarist showing his range. They encored with the Talking Heads’ “Burning Down The House.” Again Bernie sang and it was a little rough, but the enthusiastic crowd backed him up with a massive sing-along. All in all it was one of the best Kimock shows I've seen and best lineup he has put together in years. I hope they continue to tour, write, and grow as a group. There is such an immense amount of talent in the band. It would be interesting to see how they sounded together after a couple years of regular touring.


Popular posts from this blog

Livetronica Sampler 3.22.11

Buckethead: Gimmick or Guitar God?

Billy Strings 4.18.19

Shwarma, Cloud Catcher & Kaepora 6.21.24