I'm a "bean counter." According to Willie Waldman, it's not about the numbers. That's a typical line from a jazz musician and following my conversation with Willie's bass player for the evening, Garrett Sayers, about his trio and upcoming album, Willie had a lot more to say. His moniker reflected the attitude and thought process of a jazz musician. If you don't know, Willie is a hurricane of energy and holds no punches when it comes to speaking his mind about everything. My conversation with Willie was calmer than previous experiences and though him and I have had words in the past, that night he spoke very candidly with me about mistakes he'd made, his life and Live Nation. That night I found myself "counting beans" (gauging attendance) and there were more "beans" than I had seen Willie pull in Denver in some time.
Rumors had circulated leading up to the show about the potential appearance of Red Hot Chili Peppers' bass player, Flea, turning out following his sold out show at The Pepsi Center. The first set started to a near empty room and grew in size with the initial "composition" taking shape. Heavy bass lines from Garrett opened up into some fairly loose drumming and a sort of somber trumpet took over. What followed were two sets of free jazz that included some fantastic moments. Throughout the two sets the project was joined by Jamie Mitchell on guitar, however no Flea.
For folks who had turned out to see the "special guest," there was none. For people who turned out to see Flea, they got a "Live Nation killed us" rant from Willie. If you were there for any other reason but music, you may have left disappointed. However, for those jazz fans in attendance, seeking a free form oasis, there was no disappointment. Music fans were treated to a rare performance of a genre that no longer has a place to call home in this part of the country. Free form jazz has all but faded into obscurity, however, there was Willie keeping the music alive. Ultimately Willie was right, when it comes to jazz, there really can be no "bean counting" and it is all about the music.
Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus
Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least
Salvage Station Asheville, NC Words by Jason Mebane Photos by J. Scott Shrader Photography When asked to write a review of last week's Billy Strings show at Asheville, North Carolina's Salvage Station I almost passed on it. I just wrote a review of his last Asheville show a few months ago and I thought it may be hard to come up with another set of words to describe to the readers exactly what a Billy Strings show is all about. I am sure there are a plethora of other reviews that other people have written focusing on how well he has mastered his instrument. I suppose I could recycle those thoughts and just sit here typing out a few adjectives describing each note Billy and his superb backing band played this past Thursday night, but that wouldn't be fun for me. Additionally I'd imagine a review like that wouldn't keep your attention either. Instead I have decided to focus on a few random parts of the Billy Strings show that seemed interesting to me. One: B
Cervantes Other Side Denver, CO Words & Photos by Pavel Gábor Kaplan Two weeks ago, Denver locals Shwarma graced the stage at Cervantes’ Other Side for the second time as headliners, with support from other Denver locals Cloud Catcher (stoner metal/power metal) and Kaepora (metal/funk/fusion). Coincidentally, both this year’s Summer Solstice and the Strawberry Full Moon transpired around Shwarma’s Album Release show, with the full moon falling on the night of the show. Certainly strong energy to power up the night of dancing and raging - from appropriately cosmic occurrences for a cosmically cool bill. It’s rare to have a full moon actually fall on the same day as a solstice. However, something not very rare is an unforgettable performance from Shwarma at Cervantes! I totally enjoyed photographing their Otherside shows last February when they opened for Lespecial to perform to a sold-out Ballroom-side, as well as their performance last Halloween at ‘Oogie Boogie’ alongside Dopapod,
Rancho Del Rio Bond, CO Words by J. Picard Photos by Scott Seifert Gratitude and appreciation have been the foundation of our time at Yarmony Music Festival (formerly, YarmonyGrass). Gratitude for the beauty of the space, Rancho Del Rio, and the mighty Colorado River that flows through it. Appreciation for the experiences, friendships and memories created. Over the span of the fourteen years that we've attended, we have seen firsthand a bonding of a core group of people who have become great friends, characters in each others' stories and in some cases, life partners. Following the incredible energy of the 2019 festival it was announced that Yarmony would be put to rest, to the dismay of many pirates. Though times got strange and folks were pushed apart, there was still a low, slow, pulse beating in the background. We did what we could to keep the spirit of the memory alive until one unsuspecting day, a long five years later, promoter Andrew McConathy announced that from its re
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