The drive up from Greenville, SC was well warranted for what awaited the four of us at the Asheville Music Hall Saturday night. We made sure to arrive early to get some grub and make sure we got our hands on tickets for the show at the Music Hall owned, One Stop Deli & Bar. The combination of menu variety, brews and atmosphere for live music makes this place a must anytime I ‘m in Asheville now. The free pre-show put on by Asheville ensemble, Jahman Brahman, definitely put the energy in motion for tonight’s Everyone Orchestra rage. We shifted upstairs as the crowd began to pour in, grabbed a few beverages from the venue’s helpful and friendly staff and readied ourselves for the jams to come.
Led by arranger and musician Matt Butler, the Everyone Orchestra consists of an ever changing cast of high talented musicians, which over the years has consisted of members from The Grateful Dead, Phish, Widespread Panic, moe., and a mix of many others. Tonight’s rage included Kyle Hollingsworth (String Cheese Incident) on keys, John Morgan Kimock on drums, Reed Mathis of Tea Leaf Green on bass, Dan Lebowitz of ALO on guitar, Anthony Thogmartin and Mike Healy of Papadosio, and Greg Hollowell of Yo Mama’s Big Fat Booty Band on saxophone. Matt Butler, adorned with a psychedelic top hat and overcoat, demonstrated a great balance between his use of a white board as a cue card to dig into the group’s improv musical talents, while at the same time involving the packed out crowd’s energy and assistance. Typically Everyone Orchestra tours the festival circuit but this tour was being referred to as "The Carolina Sessions" and Asheville happened to be the last stop on the tour. These shows are truly something special considering the amount of energy transferred between audience and band.
The first few songs started with somewhat spacey jams before Kimock and Healy’s drum solo into “People Say” saw a welcoming funk get down response from the crowd which ultimately never showed any retreat the rest of the show. It's always a treat to see a musician play outside of his typical style or genre. Mike from Papadosio was one person who caught my ear with his contagious funk grooves. Meanwhile, Hollingsworth was laying down his signature sound without hesitation. The night never let up and Butler never let the audience feel unnoticed. Constantly using crowd interactions with the music made it that much more special. Mathis held it down all night with his thick spastic bass lines that kept everyone bobbing their head through out the show. Two notable covers were the Stones’ “Sympathy for the Devil” and The Flaming Lips, “Yoshimi Battles the Pink Robots, Pt. 1." Hollingsworth and the others were musically connected and on point throughout the entire evening. I honestly can’t say I’ve seen such a well rounded group feed off each others' energy as well as these guys have in quite some time. If on the spot improv is what tickles your fancy then I suggest seeking out the next Everyone Orchestra show in your area and strap on for one musical roller coaster that never ceases to amaze.
Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. <--- Direct Archive Link www.octopus
Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least
Salvage Station Asheville, NC Words by Jason Mebane Photos by J. Scott Shrader Photography When asked to write a review of last week's Billy Strings show at Asheville, North Carolina's Salvage Station I almost passed on it. I just wrote a review of his last Asheville show a few months ago and I thought it may be hard to come up with another set of words to describe to the readers exactly what a Billy Strings show is all about. I am sure there are a plethora of other reviews that other people have written focusing on how well he has mastered his instrument. I suppose I could recycle those thoughts and just sit here typing out a few adjectives describing each note Billy and his superb backing band played this past Thursday night, but that wouldn't be fun for me. Additionally I'd imagine a review like that wouldn't keep your attention either. Instead I have decided to focus on a few random parts of the Billy Strings show that seemed interesting to me. One: B
Cervantes Other Side Denver, CO Words & Photos by Pavel Gábor Kaplan Two weeks ago, Denver locals Shwarma graced the stage at Cervantes’ Other Side for the second time as headliners, with support from other Denver locals Cloud Catcher (stoner metal/power metal) and Kaepora (metal/funk/fusion). Coincidentally, both this year’s Summer Solstice and the Strawberry Full Moon transpired around Shwarma’s Album Release show, with the full moon falling on the night of the show. Certainly strong energy to power up the night of dancing and raging - from appropriately cosmic occurrences for a cosmically cool bill. It’s rare to have a full moon actually fall on the same day as a solstice. However, something not very rare is an unforgettable performance from Shwarma at Cervantes! I totally enjoyed photographing their Otherside shows last February when they opened for Lespecial to perform to a sold-out Ballroom-side, as well as their performance last Halloween at ‘Oogie Boogie’ alongside Dopapod,
Rancho Del Rio Bond, CO Words by J. Picard Photos by Scott Seifert Gratitude and appreciation have been the foundation of our time at Yarmony Music Festival (formerly, YarmonyGrass). Gratitude for the beauty of the space, Rancho Del Rio, and the mighty Colorado River that flows through it. Appreciation for the experiences, friendships and memories created. Over the span of the fourteen years that we've attended, we have seen firsthand a bonding of a core group of people who have become great friends, characters in each others' stories and in some cases, life partners. Following the incredible energy of the 2019 festival it was announced that Yarmony would be put to rest, to the dismay of many pirates. Though times got strange and folks were pushed apart, there was still a low, slow, pulse beating in the background. We did what we could to keep the spirit of the memory alive until one unsuspecting day, a long five years later, promoter Andrew McConathy announced that from its re
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