It was a packed evening of sold out (or close to sold out) shows in Denver, as is often the case on any given weekend. A lot of thought went into which show(s) to attend for a lot of people, but for me the decision was clear. Guitarist, Fareed Haque, would cover Crosby, Stills, Nash & Young's Deja Vu with his band MathGames. Leading up to the event Fareed reached out to me about needing keys for the project. There was only one person who could properly field the material and keep up with Fareed, and that person was Patrick Lee (Garrett Sayers Trio). I was also asked by MusicMarauders' client, Genetics, if they could get onto the bill as Fareed was one of their all time favorites as well. Calls were made and the gig was set.
Just prior to their opening slot, I headed backstage to let Genetics know that we were set up and ready to go. I also informed them that I would be living vicariously through them on that evening and to not fuck it up. I like to add a little pressure to an already tense situation, as it was confirmed, Fareed would sit in with Genetics. Genetics took the stage at the nearly empty Quixote's and as they began folks made their way into the main room to experience the young Fort Collins band. Genetics eased their way into the set with the energy building in a slow yet calculated manner. Solid guitar riffs soared over heavy bass and consistent drums as the music went through all sorts of flowing progressions. Adventurous musical concepts whirled around the stage in a collective and cohesive manner as the band launched into Oyterhead's "Mr. Oysterhead!" The song was well-executed and one of the highlights of the set, foreshadowing May 11th's "Genetics Performs The Music of Oysterhead" show at Quixote's! Then it happened. The true highlight of the extended opening set came with Fareed Haque's entrance to the stage. The excitement was clear on the faces of the young band, who once again worked its way into a composition, as Fareed mocked the melodies then took them to another level. Fareed glanced at the young guitarists, encouraging them to "have at it," though it was clear that no one wanted to step up. With that, Fareed tapped his pedal, leaned back and took off into ripping guitar work. The music built, the band thanked Fareed and jumped back into heavy progressive jam before concluding their set.
Up next was Fareed Haque's MathGames, who instead of playing numeric jazz, took a different approach to their sets with their take on Deja Vu! Fareed's acoustic guitar sounded crisp as he nailed every single note with larger than life tone and accuracy. Alex Austin's bass, combined with Greg Fundis' drums reflected great chemistry and the perfect platform to feature Fareed. That night MathGames welcomed special guest Patrick Lee to the mix. Patrick fit in perfectly, outputting the material like a true pro and reading Fareed like a book, keeping up with every chop. It was cool to see Fareed's excitement with Patrick's approach to the music. Songs like "Teach your Children," "Carry On," "Almost Cut My Hair," "Woodstock" and more, featured a new perspective on the material and a specific mastery that only Fareed could bring to the table. Through two set of covers and original material, MathGames blew minds, encoring with crowd favorite, "Carry On."
Though the turn out was low, the vibe and the music was fantastic. Fareed and MathGames' approach to the material of CSNY was incredible and overwhelmingly interesting. In addition, Genetics put on a solid opening performance that reflected focus, immense practice and progress from their previous performances. What more can you ask for from a young band beside constant improvement and progress? I see great things for Genetics and look forward to the next time I am able to catch them and/or my favorite guitarist, Fareed Haque!
Black Rock City, NV Words & Photos by Andrew Wyatt The first time I was born again, I was no more than a 12-year-old tadpole of a kid wriggling his way through chilly baptismal waters of my father’s tiny, rural Southern Baptist church. The first time I was born into the narrow confines of evangelical religion. The second time I was born again, I was a gangly young man born into the big, wide, roiling sea of the infinite universe. And it all happened on a pirate ship and a wacky dance club at Burning Man. In 2002, I was a self-doubting preacher unsure whether to continue a fledgling career calling, when a voluptuous mountain guide neighbor asked if I would join her on a week-long experience at Burning Man. “After the week is over, and you still want to preach. Then great. If not, then you’re welcome!” she piped up. Hesitantly I agreed. “Burning Man,” wrote journalist Daniel Pinchbeck in his book, Breaking Open the Head , “is more decadent than Andy Warhol’s Factory, more glamoro
Hill Auditorium University of Michigan Ann Arbor, MI Words & Photos by J. Picard In the early 1970s the music world shifted with the coming of a transformative collaboration between John McLaughlin and Zakir Hussain. The result was a relatively short-lived but incredibly impactful project that grew from the chance encounter. Shakti, from its inception, was destined to change not only the sound of Indian music and jazz, but the possibilities of musical collaboration as a whole. Nearly fifty years later, the impact of this project that began in 1974 and concluded in 1978, is immeasurable and spans generations of listeners. 2023 marked the return of Shakti, the release of a new album ( In This Moment ) and an extensive tour that wrapped around the globe from Europe to the United States. From the announcement of the American tour dates, it was decided that we would be making the long journey from Denver, CO to Ann Arbor, MI for a show at Hill Auditorium at the University of Michigan
Bank of NH Pavilion Gilford, NH Words & Photos by Arlene Brown What happens when you have 9,000 people attending the biggest group therapy session of our lives? You get almost every single person at the Bank of New Hampshire Pavilion in tears for an experience none of us will never forget. Disturbed’s “Take Back Your Life” tour swept through Gilford, NH with so much raw and honest emotion led by the breathtaking David Draiman, vowing to each and every person there that our lives matter and that our lives are important. Mental health affects everyone; either ourselves or someone we know who is living with depression, anxiety, and/or other debilitating issues. “We are not alone.” Disturbed’s night started with their normal “Hey You,” “Stupify,” and the pyro backed “Ten Thousand Fists” in which everyone was pumping their fists (not phones) in the air. Every single person was singing every single word to every single song. The whole night. It’s been a LONG time since I’ve seen a crowd
Deschutes County Fairgrounds Redmond, OR Words by Ryleigh Hutson & Alexander Fornes We are counting down the days to the first-ever, Cascade Equinox Festival taking place September 22-24th. As we close out the summer months and welcome in the fall, we come to the Deschutes County Fairgrounds in Redmond, OR & explore a diverse and eclectic blend of music including Jam, Electronic, Funk, Bluegrass, and Soul acts. With so many artists and genres to explore, it may be overwhelming to plan which are a must-see, and which sets you’ll spontaneously stumble upon. This could be one of the greatest line-ups Central Oregon has yet to see. The following are 5 artists not to miss at Cascade Equinox! 1. Pretty Lights Electronic music pioneer Derek Smith (Pretty Lights) is following a five year hiatus and Cascade Equinox is boasting its headliner as his only Pacific Northwest performance on his Soundship Spacesystem Tour . Pretty Lights took the hiatus at the top of his game after his 10th ye
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