Summer Camp Music Festival: Sunday May 26th, 2013
Three Sisters Park
Words, Photos & Video By Nicholas Stock
This was a bluegrass clusterpluck that included members of Floodwood, all of The Henhouse Prowlers, as well as Allie Kral. What followed was some of the best bluegrass that occurred at Summer Camp 2013. It was a blend of all the things that make string music so great. Allie took the unofficial lead talking about playing acoustically and not needing a PA. Ben from Henhouse said, “These songs are all the same… but seriously they kind of are.” He wasn’t so much belittling bluegrass as much as he was pointing out a fact. Much of what the genre is built on is tradition and even though the music can be incredibly innovative it never wanders too far from its central principles. They ran through a series of songs that was enough to warm the heart of any bluegrass fan.
Next it was time for Umphrey’s last set, which was already underway.
Umphreys McGee Live at Summer Camp on May 26, 2013.
Set One: Slacker, White Man’s Moccasins, Tribute to The Spinal Shaft> Wife Soup, Phil’s Farm, She Caught The Katy*, Dear Lord**, Higgins, Smell The Mitten, August> No Comment> August, Miss Tinkle’s Overture
*w/ Taj Mahal and Luther Dickinson
**w/ Luther Dickinson
As soon as their set was over it was time for moe. on the Starshine stage. This has been their acoustic show for the last few years and it allows for a relaxed vibe to flow out over the crowd. It’s yet another favorite set of mine to see at Summer Camp. After they dialed in their sound, moe. opened with “All Roads Lead To Home.”
moe. Live at Summer Camp on May 26, 2013.
Set One: All Roads Lead To Home, Sticks and Stones> St. Augustine, Shoot First> Bring You Down, Tambourine, Four
After moe. it was time for another class act, Taj Mahal and his trio. Taj Mahal is blues music and has brought this genre to audiences for nearly 50 years. From his early career with the Rising Sons to his solo work, Taj Mahal has remained a major influence to young and old musicians alike. Taj has also stated he prefers playing outdoor festivals, which is why he seemed right at home at Summer Camp. He played a two-hour set with his band that included Kester Smith on drums and Bill Rich on bass. Taj recently celebrated his seventy-first birthday and he is still going strong. His set at Summer Camp was truly a delight.
John Brown’s Body was up next and these guys are insane. Focusing on a more “spaced-out” sound rooted in the reggae tradition, lead singer Elliot Martin has robust approach to his craft. He moonlights as a dubstep DJ, but JBB is all organic. Their inclusion on the Summer Camp lineup was one more feather in the cap of this festival. They are an energetic face slap that soothes the soul. If you enjoy an innovative approach to roots music check these guys out.
Set One: The Cuckoo Song, The Fall, Down With The Shine, Will You Return?, Laundry Room, Old Joe Clark, Reno Lament, Distraction #74, Paranoia in B Flat Major, Live and Die, Got To Sleep, Head Full of Doubt/Road Full of Promise, Life, At The Beach, The Prettiest Thing, Gimmeakiss, Die Die Die, Kick Drum Heart, Geraldine, I and Love and You
Encore: Talk of Indolence
We made our way backstage to meet up for the Private Camp Counselor Show, but due to the weather it had been moved to a small trailer behind Moonshine. Kyle and three of his friends got a special show from moe. and Victor Wooten, but there just wasn’t any room for anyone else. I totally understood and was happy that despite the weather Kyle still got his show which included an acoustic “Kyle’s Song” and “The Weight.”
Set One: First Tube, Cayman Review, Last Tube, Alaska, Pigtail, Dark And Down, Money Love and Change, Drifting, The Land of Nod, Tuesday, Push On Til the Day
Set Two: Mr. Completely*
*Show ended due to severe weather
Trey and his band consisting of Ray Paczkowski, Jennifer Hartswick, Natalie Cressman, Russ Lawton, Tony Markellis, and James Casey seemed undaunted by the rain. They pressed on with a show that features a stunning series of guitar solos from Trey. He simply shredded his way through “Cayman Review” and “Last Tube.” “Alaska was a real crowd-pleaser and gave the rest of the band a chance to breathe. “Dark And Down” seemed incredibly appropriate and was the song that featured some the most intrepid jamming of their first set. As lightning continued to flash all around the rain subsided momentarily. “The Land of Nod” was epic, but the set-closing “Push On Til The Day” sent this show over the top.
We got a good night’s sleep and awoke to the aftermath of the storm. Tents and gear were scattered all around the grounds and people were desperately trying to get their cars out of the now rut ridden lot. We loaded up our gear and got on the road back to Chicago. The festival seemed to just fizzle out rather than end with the bang many of us are used to. That being said with that much rain and lightning there is little that can be done, and ultimately the safety of the patrons is paramount to the music. Like I said before, I give credit to the promoters of Summer Camp that only two sets of music were cancelled all weekend. The fact that we encountered so much rain, it would be easy to understand more shows getting cut. This was not the case, because of a high level of organization and perseverance by the staff. Sure we got some mud, but that was a minor inconvenience compared to all the amazing music I witnessed over the course of four days. Memorial Day Weekend in central Illinois is a crapshoot weather-wise. This year we got rain, last year we got sun, that is part of the overall experience at Summer Camp. However, no one can complain about the musical collaboration that took place and the wonderful experiences shared by thousands at a tiny park in the middle of miles and miles of farmland. Until next year Summer Camp… Cheers.
Nicholas' Sunday Photo Gallery