Skip to main content

Jerry Garcia Tribute feat. Warren Haynes & the Colorado Symphony 7.30.13


Red Rocks Amphitheatre
Morrison, CO

Words & Photos By Kevin Hahn (Split Open & Shoot Photography)


When something as unique as the Colorado Symphony playing the music of the late Grateful Dead lead-singer Jerry Garcia rolls into town, the hairs on my back tend to stick straight up. Yes, I do know that we are spoiled here in Colorado with our amazing music scene, abundant amount of not-to-miss venues, and overall with how beautiful our state is, but as some have pointed out before Colorado does get skipped by some of the “bigger” touring acts or special musical events. Fortunately, The Jerry Garcia Tribute featuring Warren Haynes playing the music of one of his musical heroes was not one of them. Having played Red Rocks with the Allman Brothers Band, Government Mule, and Phil Lesh and Friends Mr. Haynes was no stranger to the large-scale capacity of the greatest outdoor music venue the world has ever seen and it was quite evident how comfortable he was from the very beginning of “Dark Star." Playing Garcia’s famed “Wolf” guitar built by Luthier Doug Irwin, which Garcia played from 1973-1979 Warren was able to capture the true essence and tone of the late Dead lead singer and truly transform the night into a very special occasion.

Joining Mr. Haynes for this musical journey were Jeff Sipe (ARU, Leftover Salmon, Jimmy Herring Band) on drums, Lincoln Schleifer (Warren Haynes Band) on bass, and Alecia Chakour and Jasmine Muhammad on back-up vocals. Being a huge Jeff Sipe fan myself, I was extremely pumped to hear what he had to add to the symphonic Dead collaborations that I knew aging Deadheads would be dying to experience. The night began with a haunting and almost creepy version of “Dark Star” which led right into a perfectly placed “Bird Song” which got the Colorado crowd in the sing-along mood. Using Garcia’s famed tone and overall way of “Flowing” over the fret-board, Warren was able to almost perfectly mimic what Garcia became famous for. Yes, Haynes has a much more distinct and rock-ish way of playing the guitar, but when playing the “Wolf” you must respect the sound and history it has grown through.

One of my all-time favorite Jerry songs “Crazy Fingers” came next and this version was an absolute delight to hear. Flawlessly flowing up and down the neck of the guitar, Warren brought us Deadheads back to the 70’s with quick tone changes and unique chord progressions. “Standing on the Moon” was next and the calm lyrics brought an almost eerie/sleepy feeling over the crowd, until the first notes of the Deadhead favorite “Scarlet Begonias” came roaring through the Red Rocks speaker system. Haynes used the “Wolf” to hit every note of Scarlet to the enjoyment of much of the crowd and Chakour and Muhammad on back-up vocals were absolutely stunning during this arrangement. Next came the party-starting, bass-thumping “Shakedown Street” (which without Phil Lesh on bass just doesn’t sound the same,) and then the beautiful combination of “China Cat Sunflower” > “Morning Dew” to end the first set on a very subtle, but high note. Sipe set the tone with his delicious drum beats and seemed to be right at home with the large Colorado Symphony playing behind him.

Set One: Dark Star -> Bird Song, Crazy Fingers, Standing on the Moon, Scarlet Begonias, Shakedown Street, China Cat Sunflower, Morning Dew

Set Two: Mission in the Rain intro, High Time, Russian Lullaby, Uncle John’s Band, West LA Fadeaway, If I Had the World to Give, Terrapin Station -> Slipknot! -> Terrapin Station

Encore: Patchwork Quilt, China Doll

Starting the second set with the Garcia classic “Mission in the Rain”, Haynes and his musical friends flowed their way through the first couple songs with a very calm and relaxed feeling. “High Time” and “Russian Lullaby” two songs, which many Deadheads were not expecting to hear on this night on the Rocks, received thunderous ovations when started and increased the amount of people singing-along tenfold. Having been first played back in the early 20s by some of the “Big Bands” of that era, “Russian Lullaby” has taken many different forms over the years, but this version with Warren singing lead vocals was simply stellar. After setting the mood, conductor Scott O’Neill jumped up on his pedestal and got the crowd moving with the Dead classics “Uncle John’s Band” and “West LA Fadeaway." These two songs are well known to the average Deadhead and the versions we were lucky enough to hear on this night did not disappoint. Chakour and Muhammad took the lead on “West LA” and used their sultry/powerful vocals to pump up the Red Rocks crowd and bounce their voices off the tops of the beautiful surroundings. After a brief, but still beautiful “If I Had the World to Give” the real highlight of the night came into fruition with “Terrapin Station" > "Slipknot!" > "Terrapin Station” closing out the second set with a thunderous musical force.

“Terrapin Station” is one of the most popular and sought after songs in a Deadhead’s repertoire and having Haynes belt the lyrics throughout the Colorado night was just perfection. Not a note was missed, and the symphony seemed to really come into their being with intense violin combos and some incredible harmonic sounds coming from the entire string section. This is what the crowd was waiting for, just pure musical bliss with Warren Haynes absolutely flowing his way across every inch of the “Wolf." After waiting on stage and soaking in the standing ovation, Warren returned to sing his own dedication to Jerry Garcia with “Patchwork Quilt”, a song written by Haynes reflecting on Garcia’s untimely death. “China Doll” wrapped up the night and nothing but smiles could be seen across the parking lots of the great Red Rocks Amphitheatre.

For those in attendance, we know how special what we saw truly was. And for those unfortunate enough not to make it, please keep your ears open for this tour to possibly come back in the future. I promise, seeing Warren on the “Wolf” is something not to miss no matter what the circumstance is. Also, do not hesitate to catch the Colorado Symphony any time they have a performance. No matter what music they are playing, it always seems to be jaw dropping and absolutely amazing. Make sure to support all live music, and see you next time on the Rocks!

Kevin's Photo Gallery

www.warrenhaynes.net

www.coloradosymphony.org

Comments

Popular posts from this blog

Livetronica Sampler 3.22.11

Words by Greg Molitor ( ReMIND Photography ) Ozric Tentacles This British group has proven innovative throughout the years offering a space-rock meets psytrance sound that remains alive to this day. Though never having a major record label, Ozric Tentacles has produced 28 albums of diverse psychedelia throughout its career. The band met at the Stonehenge Free Festival in 1983 and truly fathered livetronica music with its use of sequencers and synthesizers. Simply put, there would be no livetronica without Ozric Tentacles. www.ozrics.com Octopus Nebula Colorado’s Octopus Nebula has certainly hit its stride as of late with its constant touring and increased festival interest. The group expands on the deep sounds of highly regarded acts such as STS9 and Shpongle but also carves a path of its own with its fresh takes on synthesizer tones and sampling in the live setting. Octopus Nebula Live at Cervantes' Masterpiece Ballroom on March 26, 2010. www.octopusnebula.com Big Gigantic Big...

Buckethead: Gimmick or Guitar God?

Words & Photos By Nicholas Stock ( phatphlogblog.blogspot.com ) At what point does the gimmick overshadow the performance? The obvious answer is Buckethead. The man is an amazing guitarist but something is not right in this world. The idea a performer who dons a KFC chicken bucket on his head for a concert has always intrigued me, and some of his side projects such as Colonel Claypool’s Bernie Bucket of Brains have been huge successes. However his performance last weekend in Fort Collins simply left me perplexed. From his robotic dancing, to his nunchuck display, to the fact the he performed with an iPod rather than a band all added to my confusion. Going into the show I was ready to be blown away, despite rumblings of disgruntled fans from the previous night’s show at The Gothic. Buckethead had had some sound issues and some missed cues in Denver but I was still trying to be positive for the show in Fort Collins. It did go off without a hitch technically but that was the least ...

The Origin of MusicMarauders

Words By J-man "What should I name this fucking thing?" I asked myself in the midst of a joint in my Upstate, NY apartment. "It's got to be something with just 'Music'in the title. Nothing more specific than that, as we'll be covering a wide variety of genres." One more drag on the joint yielded the memory of driving down Woodward Ave. in Detroit, listening to Tribe Called Quest's Midnight Marauders. "MusicMarauders! That's it... It completely encompasses what we do in the sense the we are 'maraudering' or 'pillaging' for music," I thought as I stared out of the window at about three and a half feet of fresh Upstate snow. First things first, the domain had to be registered. "Do I have ten dollars in my account?" I thought to myself from a position of just scraping by. Pulling out my shiny, rarely used debit card, I put it to the test and was able to secure MusicMarauders.com. "What's next?" I ...